The Obsessed

The Obsessed

Karma To Burn, Lo-Pan, Pillcrusher

Sun, May 7, 2017

7:00 pm

The Korova

San Antonio, TX

$13.00 - $15.00

Tickets Available at the Door

The Obsessed
The Obsessed
The band formed originally in the early 1980s, in Potomac, Maryland, led by Wino. Later on the group moved into a band house in Rockville, Maryland where some of their most creative and hardest music was written. Before this move, however, original guitar player John Reese departed from the band. The band became a trio and remained that way until the mid eighties when Vance Bockis and Norman Lawson joined the band. During this time they released the Sodden Jackyl EP and had one track ("Concrete Cancer") featured on Metal Blade's Metal Massacre VI.

The band broke up in the late 80s and Wino went west to California to join up with Saint Vitus. Wino recorded three albums, an EP, and a live album with Saint Vitus. Hellhound Records (Vitus's then current label) released The Obsessed, an album of archived Obsessed recordings, which prompted Wino to leave Vitus and reform The Obsessed with a new rhythm section consisting of Scott Reeder and Greg Rogers. The band was quickly signed to Hellhound Records and released soon released Lunar Womb. Scott Reeder later left to join Kyuss, whereupon he was replaced by Guy Pinhas. Columbia Records signed them for their third and final album, The Church Within (1994, see 1994 in music), which received rave reviews. Despite a large amount of promotion on behalf of Columbia Records (including a 25-minute documentary on the history of The Obsessed), the album did not sell as well as expected. After the demise of The Obsessed, Wino went on to form Spirit Caravan, while The Obsessed's rhythm section became the basis for Goatsnake.
Karma To Burn
Karma To Burn
Karma to Burn is an American instrumental stoner rock band. The band was formed in 1994, in Hicksville, West Virginia (actually Morgantown, WV, though this was a running joke also reflected in bios of the band on other Web sites).

Their instrumental album Almost Heathen is widely regarded as on par Kyuss' Welcome To Sky Valley and Monster Magnet's Spine of God, as one of the defining albums of the stoner rock genre, although the band themselves referred to their style as malternative.
Lo-Pan
Lo-Pan
There is a hidden world where ancient evil weaves a modern mystery. A world filled with the darkest magic's where all movement is caused by tensions between positive and negative furies. A world in which the furies, when out of balance, turn into demon and live forever. A creature of fast dark destructive power. Repulsive and evil existing only to plague the living as they do with LO-PAN, who is cursed. Cursed with rock and roll genius. Born out of a combination of dirty rock and roll, stale beer and an unhealthy obsession with "Big Trouble In Little China," Columbus's Lo-Pan have been tearing up the club circuit since 2005. Lo-Pan burst onto the local scene with their locally released self-titled album back in 2006. The local buzz gave way to more national attention as bands told bands and Lo-Pan began gracing venues big and small with names like Red Giant, Devil To Pay, Torche, Saviours, Year Long Disaster, Red Fang, Valkyrie, & the Atomic Bitchwax (just to name a few). Fast forward five years and there's hardly a band worth playing with that they haven't shared a stage with. Enter the sophomore release, "Sasquanaut." Initial pressings on local indie Nice Life Records sold out quickly and as before the best praise is when one band on the road tells another "Hey, man you've got to check this out." Which brought them, album masters in hand to us here at Small Stone. "Sasquanaut" had all the makings of a classic, thunderous low ends, pummeling drums, riffs to die for and a voice that soars but for all the genius that shone through it was still rough around the edges (don't get us wrong we love rough around the edges). So we checked them in to a proper studio and left them in the capable hands of Benny Grotto for a little remixing, a little re-mastering and just ever so much re-recording. Enter Sasquanaut, mark 2: "Sasquanaut (Remixed & Re-mastered)." Heavier, more dynamic, louder and just that tiny bit more polished, this is the album that bands and fans new they could make. Mere words just can't do justice to the effect that a little more time and the proper equipment have had on these eight raging tracks. Maybe a quote from the bands namesake might sum it up. "When some wild-eyed, eight-foot-tall maniac grabs your neck, taps the back of your favorite head up against the barroom wall, and he looks you crooked in the eye and he asks you if ya paid your dues, you just stare that big sucker right back in the eye, and you remember what ol' Jack Burton always says at a time like that: "Have ya paid your dues, Jack?" "Yessir, the check is in the mail." The boys heads back into the studio for a proper follow-up this fall and look for the band on tour this winter and remember IT'S ALL IN THE REFLEXES!
Venue Information:
The Korova
107 E. Martin St.
San Antonio, TX, 78205
http://www.thekorova.com/